With the world at their feet, the hedonistic 'bright young things' of the Deco Era dazzle with style; with 9 Swarovski, square & round cut crystals & black enamelled panels.
|
 |
A 1920's style, rectilinear, aesthetic construct of the final resting place to entertain the maestro designer of the era; featuring a striking Triangular-cut Swarovski crystal dropper & smokey enamel tomb.
|
|
An exotic, spangling palm fan from the infamously risqué, foot-lit boards exemplifying the height of Parisian decadence; with a host of Swarovski crystals & opaque black enamel panels .
|
|
The shameless personification of Woman as the Original Sin the irresistible temptress to the eternally and hopelessly beguiled male gender; the serpent coils evocatively around a massive, early C.20th style, Swarovski crystal.
|
|
The death-star jewel; a glittering celebration and homage to the end of everything, featuring a gigantic, stellar-cut Swarovski crystal at it's centre.
|
|
Sociopathic gesture from an alternative Swedish femme fatale.
|
|
Reflecting elaborate 16thC. 'maschera' style, the grotesquely Baroque face of death.
|
|
The sinister nocturnal persona of Count Magistus in the Slavic forests of the Bohmerwald.
|
|
A pergola of desire enshrining the fate of a broken dream.
|
|
Creatures of the night, in a dangerously playful mood. With giant crystal-white moon.
|
|
The Egyptian god of creation, Khepri, rolls the alternative black sun, forever over the horizon of Akert; a locket to display a personal image of the coming of the redeeming light.
|
|
The Night of Death' - Grimnir, the Anglo Saxon god and spirit of death, daily, after dusk, circumnavigates the globe to reap his harvest of souls; with translucent 'coral' enamelled map, ringed by Latin etched brass.
|
|
'Death on the Wing' - the ephemerally mournful symbol of mortality weeps obsidian tears; with Swarovski Jet crystal droppers.
|
|
A wicked and irresistible trap, plunging the hapless victim into forlorn temptation; black pewter with contrasting, glittering white crystals.
|
|
The Hebraic Eve was the first and, conquering temptation to the all too fallible will of man - Eden's leveller; satin black rope cord 'snake' choker with Swarovski crystal settings.
|
|
Concealed within this face of death, the spider patiently awaits its next victim; with Swarovski crystals & stainless steel etched 'web'
|
|
The haunting remains of lost romance; articulated pendant with Swarovski crystals.
|
|
Looking deep into the gothic heart, the face of death will peer back with inevitable certainty. See matching earrings, E271.
|
|
A Vampire bat of Balkan severity and proportions.
|
|
Discreetly tokening the owner's alternative tendencies.
|
|
From Veneziano's c.1515 painting of Lucrezia Borgia, her pendant, including secret compartment to cater for her predilection for poison.
|
|
The spirit of wormwood rises from the absinthe green enamelled visage of mortality; with Swarovski crystal.
|
|
This pendant is a symbol of the omnipotent Greek god of healing and a natural receptacle for secret and elixial potions; (strong glass vial with cork stopper).
|
|
The Swarovski 'garnet' crystal heart of a vampire, immutably consigned to ashes and oblivion.
|
|
Classic brass hinged, ivy covered and jewelled memorial stone. Inscribed 'In Amorta R.I.P'. To secret-away an image of your beloved.
|
|
A skein of bats flitters about this deep and sinister portent.
|
|
The emerald back predator is poised and ready to sink it's deadly fangs into it's next unsuspecting victim. Featuring a death black crystal and an emerald green crystal.
|
|
The pitiful tortured remains of a hapless nobody.
|
|
A moderately proportioned vampire bat pendant to aid inconspicuous fraternisation.
|
|
Encapsulated in a smoke glazed pewter coffin, the Prince is viewed in his matinal retreat.
|
|
Vision of the nocturnal nightmare.
|
|
The compass in which every direction points north from the centre, symbolising the principle and virtue of Chaos.
|
|
Classic skull of the philosopher. Black rose two-tone.
|
|
The Latin inscription reads 'All things change and we with them', the inset mirror revealing the horrifying face of the future.
|
|
